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Selected Past ExhibitionsFlorencia Levy Commute Portraits 2009 Curated and essay by Cynthia Mulcahy Centraltrak Artist Residency, Dallas, Texas www.centraltrak.com

French poet Charles Baudelaire described the nineteenth-century
flaneur, an observer of social life in the city, as a "botanist of the
sidewalk." Admittedly, artist Florencia Levy might
also be described in like manner for her empirical investigations of
contemporary everyday life in her own city of Buenos Aires.
The recent project Local Tourism began when the artist informed friends and family she was leaving on vacation for a month or so, the putative assumption
being, of course, that she was elsewhere in another city. Rather, the
artist sojourned in her own city, staying at a succession of cheap
hotels near the city
center, a different one every night. She frequented local landmarks,
mailed postcards to loved ones, and recorded her daily observations.
The result was a video work and series of photographs of poetic narrative and conceptual force.
Another recent body of work was based on the artist assuming the role
of an interested tenant and visiting tens of dozens of empty apartments
for rent in her city.
She has also made audio guides of city bus routes in Argentina that one
can follow. Accident introduced her to Mr. Torres, a Peruvian immigrant
fabric cutter in Buenos
Aires, and his window stuffed plant collection growing in soil smuggled
from his native country. The artist told his story through text and
images and handed out a
thousand flyers to the serried crowds crossing on the corner streets of
Senor Torres’ garment district studio.
In Commute Portraits, her latest exhibition, Levy, while in residence as an artist at Centraltrak in Dallas, Texas, accompanied commuters on their daily walks,
drives, or public transport commutes – be they cowboy farriers, fellow
artists or recent immigrants from Mexico. Through video, installation,
photographs, water-
colors, text and objects, which include cut Oleander flowers, a neon
Pitt Grill sign, a tiny viewfinder and a model airplane, Levy captures
what nineteenth-century
journalist Victor Fournel in writing about the artist-as-explorer
referred to as "the confessions, antipathies and admirations of the
crowd.”
In all these
works, it’s less about Levy’s experiences than it is about what people
and place reveal. The artist unspools these revelations and reworks
them, often in adumbrated form such as the video work The Master Farrier, part one which counterpoints fact and fiction, myth and reality, in a deadpan and hilarious morality play.
- Cynthia Mulcahy   Nate Cassie's Put the needle on the record  Margaret Meehan's Pity Party on the Mountain of Loneliness  Rosalyn Bodycomb's Nocturnes  Marcel Gautherot's 20th century modern photography of Oscar Niemeyer's Brasilia  Introduction:06 Heyd Fontenot (above), Victoria Montelongo and Michael Warren  Celia Eberle's Theogony Introduction: 07 Margaret Meehan, Jonathan Marshall and Eric Zimmerman  Charlie Morris' Operations  Brazilian Graffiti crew Fleshbeck Crew  Jin-Ya Haung  Meg Langhorne  Derrick Saunders
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